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The chorus in the play The Love of The Nightingale

The chorus in the play The Love of The Nightingale 7pWQA
The chorus is spokesman of the society, it reflects the voice of the people. In the play The Love of The Nightingale, the male choruses, function as a recorder although they know what is going to happen. In the scene six the male chorus directly states their passivity and functioning as recorders. Firstly, the reason why the male choruses keep their silence is, the one who commits many sins is the ultimate power of the country: The King, Tereus. It is a male dominated society and also the king is the representative of the God on earth. He is a role model, the father of the country and society in a way. You cannot easily judge or object the father or the God. He always has reasons on the decision and actions which he takes place. We can prove this thought by examining the scene ten. There are two solider complaining about camping a desolate beach for days in the scene ten. Hesitantly they question this waiting without any explanations but Tereus does not give any proper answer. After insisting of the soldiers' for an above-board respond, he puts forth his superiority over them by saying "I know better! ". He assumes god-like omnipotence and omniscience clearly. They are just like puppets of him, nothing more. In the scene eight, the male chorus talks about the meaning of a myth. They briefly define that the indirectly told unwanted truth. This conversation can be searching for a help from the readers. There is a disturbing act which is continuing from past to present. We understand the wrong but do not have the power to change it. What should be done to recover this illness? The female chorus's issue is much more complicated than the male chorus. The difference between two choruses is there are five characters which their past is full with the unfortunate stories with specific names. Their similarities are which, they are all females lost their right to speak at their own will just like Philomela and Procne in some ways. According to Psychologist Lacan, creating an identity process begins with the first meeting your reflection on the mirror as a baby. The girls imitate their mother who is feminine by means of semiotic; inexpressible while growing up. The mother is a female, not a male namely; she is lack of penis and have a hole. Because of this emptiness she sees herself as secondary being and these thoughts keep on while growing older in the moments when she faces with the gender discrimination. That is the exact trauma which every female come across. In the scene nine, they are generally talking about the difficulty in expressing themselves. The language, the word is a major tool for expressing yourself. In the male oriented society, the word is belonging to the men. Females are anti-logocentric; they cannot articulate themselves. The female is invisible in the society because she is silenced and do not be given any right to speak. Even if they speak out, People, specially the males, give the same reaction which they do to Cassandra. If the word is belonging to the men how do the females express themselves? They know the impending danger just like the male chorus and also the Queen, but they cannot put into words these dangers. They have to stay silent on the immoral acts of Tereus. Principally in the Ancient Greek plays, the way for female to speak and tell their story is weaving. According to Roland Barthes, the text is a web of meaning, a woven fabric. They weave the web. That is the only way for them to call out. In the Wertenbaker's play, after losing her tongue Philomela finds another semiotic way to reenact her trauma as a female: the dancing. However, female choruses do not have a chance similar to her.
The
chorus
is spokesman of the
society
, it reflects the voice of the
people
. In the play The
Love
of The Nightingale, the male
choruses
, function as a recorder although they know what is going to happen. In the
scene
six the male
chorus
directly
states their passivity and functioning as recorders.
Firstly
, the reason why the male
choruses
keep
their silence is, the one who commits
many
sins is the ultimate power of the country: The King,
Tereus
. It is a male dominated
society
and
also
the king is the representative of the God on earth. He is a role model, the father of the country and
society
in a way. You cannot
easily
judge or object the father or the God. He always has reasons on the decision and actions which he takes place. We can prove this
thought
by examining the
scene
ten. There are two solider complaining about camping a desolate beach for days in the
scene
ten.
Hesitantly
they question this waiting without any explanations
but
Tereus
does not give any proper answer. After insisting of the soldiers' for an above-board respond, he puts forth his superiority over them by saying
"
I know better!
"
. He assumes god-like omnipotence and omniscience
clearly
. They are
just
like puppets of him, nothing more. In the
scene
eight, the male
chorus
talks about the meaning of a myth. They
briefly
define that the
indirectly
told
unwanted truth. This conversation can be searching for a
help
from the readers. There is a disturbing act which is continuing from past to present. We understand the
wrong
but
do not have the power to
change
it. What should
be done
to recover this illness? The
female
chorus's issue is much more complicated than the male
chorus
. The difference between two
choruses
is there are five characters which their past is
full with
the unfortunate stories with specific names. Their similarities are which, they are all
females
lost their right to
speak
at their
own
will
just
like
Philomela
and
Procne
in
some
ways. According to Psychologist
Lacan
, creating an identity process
begins
with the
first
meeting your reflection on the mirror as a baby. The girls imitate their mother who is feminine by means of semiotic; inexpressible while growing up. The mother is a
female
, not a male
namely
; she is lack of penis and have a hole.
Because of this
emptiness she
sees
herself as secondary being and these thoughts
keep
on while growing older in the moments when she faces with the gender discrimination.
That is
the exact trauma which every
female
come
across. In the
scene
nine, they are
generally
talking about the difficulty in expressing themselves. The language, the
word
is a major tool for expressing yourself. In the male oriented
society
, the
word
is belonging
to the
men
.
Females
are
anti-logocentric
; they cannot articulate themselves. The
female
is invisible in the
society
because
she
is silenced
and do not be
given
any right to
speak
. Even if they
speak
out,
People
,
specially
the
males
, give the same reaction which they do to Cassandra. If the
word
is belonging
to the
men
how do the
females
express themselves? They know the impending
danger
just
like the male
chorus
and
also
the Queen,
but
they cannot put into words these
dangers
. They
have to
stay silent on the immoral acts of
Tereus
.
Principally
in the Ancient Greek plays, the way for
female
to
speak
and
tell
their story is weaving. According to Roland Barthes, the text is a web of meaning, a woven fabric. They weave the web.
That is
the
only
way for them to call out. In the
Wertenbaker
's play, after losing her tongue
Philomela
finds another semiotic way to reenact her trauma as a
female
: the dancing.
However
,
female
choruses
do not have a chance similar to her.
Do not write below this line
Official use only
CC
5.5
LR
5.0
GR
6.5
TA
5.0
OVERALL BAND SCORE
5.5
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Barcode 1

IELTS essay The chorus in the play The Love of The Nightingale

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